When I originally reviewed the then-new line of Fender pedals, I found the whole line to be very good value, in part because of a few nifty little design touches they included. Now recreated in one … It’s hard to get much cheaper than this. OD on dual drive knowledge with pedal whisperer Andy Martin as he shows us some fun effects with extra stages of boost, overdrive, and fuzz. On the top of the pedal, you’ll find switches for FS Select, which allows you to change the gain order, which is indicated by the Level Boost and Drive Boost LEDs. As this is billed as a high-gain pedal, the high-end can be a bit fizzy or harsh depending on what you run it into, so it’s a good thing that you have so much control over it. The 10 units we've rounded-up here run the gamut from pared-down mini pedals and simple three-knob designs to dual-channel, compound effects. The Pete Thorn walkthrough should provide all the tones and intro you need. The order of the boost and drive aren’t switchable, but where in most cases builders opt for it to be a volume boost after the drive circuit, Wampler decided to dedicate as a drive saturator boost. Check out our full review here. Keeley D&M Drive. The 11 Best Overdrive Pedals. Overdrive and compression, including: Truetone Route 66 and Fender Compugilist. Well, that person was not wrong. Click Here To Check Price: 2: Xotic SL Drive Overdrive Pedal. They can both affect serious magic in a tube amp, generating natural compression that feels great under the hands. Check out the Pete Thorn demo to see what it can do. Symmetrical silicon clipping: Tight and distorted. Guitar World is part of Future plc, an international media group and leading digital publisher. Best-Selling Overdrive & Distortion Pedals A collection of our best-selling overdrive and distortion pedals - all in one place! Please refresh the page and try again. Each of these … You could also have a look at the Ruby Red Butch Walker Signature, which goes after 60s Supro amps, or The Kilt, which combines a JFET boost with an updated Bixonic Expandora. The Boss JB-2 Angry Driver Dual Circuit Overdrive Pedal is an entirely unique pedal which combines two of the most famous overdrive pedals ever made into one. These are our top picks of the best overdrive pedals for every budget, including models from Ibanez, MXR, AmpTweaker and more. They all do something different and will greatly affect how your guitar sounds. 2. The Boss SD-2 Dual OverDrive is a two channel overdrive pedal for electric guitar. The best distortion pedals and drive pedals for guitar are ideal for anyone who wants to play metal and hard rock guitar. This dual footswitch pedal is jam-packed with features, such as a three-band EQ, a “bright” and “bass” switch, and a Tube Screamer style … When it comes to best overdrive pedals, we’d bring up their amazing SD-1 Super Overdrive. What that means to you is that this is meant as a full-fledged preamp, rather than just a typical overdrive pedal. In addition to its flatter and more 'open' EQ profile, the Timmy boasts arguably more powerful user controls, with a bass cut and a treble cut control. It has two independent drives with independent controls, easily accessible via the front panel. Used examples on Reverb are commonly available under $200, which is more in line with what I think the pricing should probably be. Also, it’s a pedal that’s been around for quite a while, which is a testament to its greatness. Used availability is good on Reverb and can save you a significant chunk from the new price. This is an essential aspect when considering the best overdrive pedal in the modern market. Not only that, it's got more than enough volume on tap to bring the best qualities of your amp to the fore. Plus, it makes adding this dual pedal to your pedal board an easy task. Despite its rarity, there aren't many KOT clones in the market, as the original uses some relatively rare diodes for its clipping, meaning that emulating the unique character of this pedal is easier said than done. The toggle in the middle controls what Fender refers to as an American and British amp voicing. A lot of distortion and overdrive pedals work best over a high-gain/dirty amp tone, but this bad boy can go from a clean amp tone straight into a raunchy and hard-rock distortion. Preset #2 is to the left and assignable by the same process, except starting with the left footswitch. Very open sounding with nice edge of break up tones. Paul Cochrane's design offers an amp-like transparent tone, stacks well, has good EQ options and provides a huge range of gain. The toggle switch in the middle controls the 25-, 50-, and 100-watt modes, which allows you to dial in the perfect mix of overall volume, crunch, and compression. Somewhere in this pedal is every kind of Tube Screamer sound, so spend some time tweaking and you’ll have them all in one place. Similarly, but to a much lesser degree, we considered but decided to leave out the Xotic Effects AC/RC Oz Noy, since it was limited edition. After that its too compressed for me. Schottky Diode clipping: More akin to fuzz. The Tight Rock is easier to find if you want to try it, and is very low-noise thanks to its built-in gate. The Dumble Overdrive amp usually sells for six figures, so naturally pedal makers want to try to recreate that magic in their overdrives and this is Mad Professor’s attempt at it. Wath the extensive Mike Hermans demo to hear it and learn more. No diodes: Least distortion, most open. The trade-offs between the two are availability, compression and gating. For a lot of players, pairing one of these with a combo reverb-delay could very well be their entire pedalboard. This probably works best directly into a power amp, but some driving amps may benefit from the added tone sculpting, as well. JHS has just recently released the AT+, which takes all that JCM goodness that was custom-voiced for Andy and adds a boost circuit to the front of it. It's very common to see players set up one side for a mid-level drive and then the other side as a dramatic boost, allowing them to effectively move into high-gain territory and smash a tube amp into saturation, as well as having a more sedate rhythm drive option. Ideal for blues and classic rock. Like delay and reverb, pairing these two things is obvious when it comes right down to it. The Tight Rock JR is, to our minds, the best all-rounder of the bunch, streamlining the options of the larger boxes while still offering a very good noise gate. First, they add distortion and extra harmonic content by amplifying and then clipping your signal. Electro-Harmonix Soul Food. Hopefully we’ve helped point you in the right direction to find the best looper pedals for your needs, but every artist is different. Strymon Sunset Dual Overdrive Pedal (Best Overall) Check Amazon Price. Indeed, the company very likely intends for this to be the front end to their PowerStage 170 or PowerStage 700, so if you’re looking to shrink the size of your rig overall, this may be the right choice for you. As Senior Amp Tech for Orange USA I get a lot of questions regarding which Overdrive/Distortion pedals work best with our amps. But typically speaking, dual overdrives tend to be comprised of either 2 complimentary overdrive pedals, or an overdrive pedal and a boost pedal. With so many overdrive and distortion pedals on the market these days, it can be difficult to find the right one for your pedalboard . This awesome … If that’s an issue, this general idea also comes in non-boost-enabled format, called Dunes. A little hunting should score you a used one on Reverb for under $200. If you've been considering investing in a new drive pedal, we've rounded up the best overdrive pedals available today to help you decide. By combining the best features of these two … Anyway, back to the topic at hand. The clean boost does exactly what it says on the tin; it pushes the volume of your … Channel 1 is my favorite. The original Andy Timmons signature from JHS was a custom take on the Angry Charlie, which is meant to be a JCM800 in a (smaller) box. On the Drive side, you get Volume, Tone, and Drive. Price: $149.99 | Type: Klon clone | Bypass: Selectable. It's a dual overdrive with BJFE blueberry bass overdrive and a Zeibek Submarine bass preamp. The other switch allows you to choose between Mosfet and Standard clipping modes. Best-Selling Overdrive & Distortion Pedals A collection of our best-selling overdrive and distortion pedals - all in one place! Give your Sweetwater Sales Engineer a call anytime at (800) 222-4700, let us know what you need to accomplish with your looper pedal, and we’ll help you find the best looper pedal that fits your criteria. While you can’t change the boost order, they are completely independent, so you can choose to use that boost alone or to saturate the pedal. Some other optional goodies include: order switching, expression pedal capabilities, ability to send the outputs to different places, and so on. You also get Level, Gain, Resonance, and a Boost volume. In our post on the best boost pedals, I talked about how boost and overdrive are mighty similar, as well. Like a few of the others on this list, JHS has boost plus overdrive options. Our guide includes multi-channel offerings, blendable drives and amp-inspired circuits, and our top distortion pedal pick is the unbeatable MXR M75 Super Badass Distortion. OD on dual drive knowledge with pedal whisperer Andy Martin as he shows us some fun effects with extra stages of boost, overdrive, and fuzz. Estimated Price: $300 ... Filter, and Volume. The Air knob is essentially a presence control for controlling top-end brightness. You can even independently modify these two tones with […] The former is a bit more focused, while the latter is more open. These guys have played their fair share of pedals, so if this is what they came up with when they worked with Keeley, it’s almost certainly worth a look. Shane of In the Blues frequently reviews these types of pedals and has a great demo of this one. Dirt-wise, these pedals span from boost and fuzz to overdrive circuits, without delving into the high-gain distortion realm, which is a … Find more JHS AT+ Andy Timmons Signature Overdrive Pedal information and reviews here. david89zemun. The real kicker is the Variac switch, which is probably among the best of the “Brown sound” emulations because it’s meant to work in a similar way to how Eddie van Halen actually did it. The Timmy is the classic 'transparent' overdrive. They’re equally at home on monster pedalboards and stripped down fly rigs. Like the mighty Dumble itself, this is a touch-sensitive and very dynamic drive meant to highlight your playing by adding a slight, musical compression and accentuating the upper harmonics. As with the Fulltone, we could’ve made different choices here. The left-hand side sports a germanium diode-based drive, which is similar to some models of the OCD; a Tube Screamer-style drive and a treble boost, while the right side has a more complex two-stage drive, a hard-clipping distortion that's somewhat akin to a ProCo RAT, and the analog JFET boost. You may want to look for a used one on Reverb to save yourself a little money. Often, when these pedals combine 2 different overdrive pedal circuits, they are based on ‘classic’ pedal … A vintage dual overdrive sound, this pedal will give your tone the illusion of a classic overdriven amp, with a tinge of fuzz and a warm distorted texture to round off the sound. ThorpyFX only uses the highest quality parts on the market, with a price to match the care that goes into it. This means that the Gain B and Boost switches can be used normally as latching switches, but if you hold them, they turn into momentary switches. On the other hand, if your boost-overdrive has the boost second (or if they're switchable), you can use the boost to simply make your dialed-in overdrive sound louder. But it's by no means a one-trick pony, and responds surprisingly well to a range of different amps. Every setting on the pedal can be saved this way, including the position of the dip switches. The Hamstead has an even greater gain range, a more 'open' general voicing and more EQ options – although, provided you have your amp dialed in right, you may not need that extra tweakability. Really good dual overdrive that excels in low to medium gain tones. Think 60’s solo with a modern vintage amp. Sing the blues, send your amp into raptures or unleash hell with the best overdrive pedals in 2020. Controls include a three-band active EQ, Gain, Volume, and Boost. This pedal goes after an overdriven Plexi sound, as so very many pedals on the market try to do. But for much, much less. But it’s also for the rest of us, too. Its only downside is that it's a relatively compressed-sounding pedal, especially when using the gate. Best Dual Overdrive Boost Pedal of 2020 - Review and Buying Guide # Product Name Image; 1: Xotic Soul Driven Overdrive Pedal. The Overdrive side has four controls: Level, Sensitivity, Contour, and Accent. Funnily enough, it even stacks well with, you guessed it, a Tube Screamer. I'm thinking the Tim is my best bet, but I'm sure there's tons of dual pedals, so just let me know. There’s a Structure switch that allows you to set the pedal to tight and focused to the right, open and loose to the left, and somewhere in the middle in the center. ... Also included are dual high and low adaptive filters which control the sensitivity of the pedals threshold without introducing any further noise. Controls include a four-band EQ of Bass, Treble, Presence, and Mids wherein the frequency is adjustable. A distinctive and affordable drive from Fender, Price: $249.99 | Type: FET-type drive | Bypass: True. 4. Most of those lists will only mention the latest releases, with … If we’re going to include another company’s boost plus Tube Screamer offering, it only seems fair that we also include the one from Ibanez itself. Fans of Danish Pete Honore and/or responsive overdrives will want to consider this device, which is his signature pedal and one of Thorpy’s best creations. Ibanez TS808 40th Anniversary. Seymour Duncan have high hopes for this pedal, as their literature says this has “an innovative architecture that captures the full-bodied depth and character previously unattainable in an effects pedal”. : No, fixed as a pre-gain boost, Other features: Predrive works as a compressor and upper harmonic enhancer, Clipping circuitry: OP-AMP, Germanium, Class A gain stages, Other features: Expression input, Variac dropped voltage switch, channel blend, Clipping circuitry: OP-AMPS and germanium diodes, Other features: Can be used as a standalone preamp into a, Clipping circuitry: Mosfet diodes, JRC4558D IC, Voicing: Tube Screamer, Fulltone Full-Drive 2 V1 clone, Other features: Two clipping modes, three voices. The toggle between the footswitches recalls two presets. Might be the last word in boost + overdrive? This is a pretty straightforward affair with Level, Gain, and Tone knobs for each side. I like this pedal and I think a lot of players will be able to find a use for it. Channel 2 is quite similar with more mid range. Find more ThorpyFX The Dane information and reviews here. Price: $129.99 | Type: TS-like drive | Bypass: True. All rights reserved. In our reverb-delay combo pedals post, I discussed that the two effects make a natural pairing, practically begging to be combined into one pedal. Generally created using an op-amp amplification stage and so-called 'soft clipping', overdrives shape your tone in three main ways. Not only that, but the combination of treble boost and the JFET analog boost option mean that, tone-wise, you can craft unique boost timbres for complementing your valve amp's tone. Much less flexible than some of the others, but much less fussy, too. And while it would be mad to pay for an original unit for this kind of use, employing the more affordable Tumnus to smash a tube amp into saturation isn't sacrilege. Find more Keeley D&M Drive information and reviews here. Find more Seymour Duncan Palladium information and reviews here. Controls include a four-band EQ across the top, Level, and Drive. LED clipping: A small amount of breakup with lots of volume. It’s possible to save as much as $100 when shopping for this pedal used on Reverb. 5. I've been looking at the Tim, Blackstone, and the Fulldrive. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz… They’re independently switchable, with a toggle switch to decide the order. Uninspired by the original, though, they went above and beyond to make the old workhorse into something new. It's got quite a distinctive sound, which tends to overtake the tone of your amp a little – but in that respect, it's really no different from the TS itself or the Klon, both of which have a very recognisable tone. The Santa Ana produces fat lead tones as well as distinctive hard rock rhythm crunch, and the switchable boost function is great for punching a solo above the mix (level setting) or adding extra creamy compression and sustain (gain setting). browne amplification - the protein - dual overdrive pedal The Protein 2 in 1 Overdrive is a collaboration between David Brown and guitarist/producer Adam Sniegowski. Our guide includes multi-channel offerings, blendable drives and amp-inspired circuits, and our top distortion pedal … Shane of In the Blues offers a very honest review with some great examples of the sounds. NUX Horseman Overdrive Pedal - The NUX Horseman overdrive guitar effects pedal is one of the most sought-after dual overdrive pedals produced in the mid '90s. This is a far simpler unit than the first two on this list, simply combining the overdrive you know and love with a +20dB boost added to it. Once again, we have a fairly simple pedal with three basic parameter controls for volume, drive, and tone. The clean boost-style overdrive pedal is one that relies on you having a decent-sounding amp in order to make the most of it. For the more adventurous out there, they provide an inherently useful, relatively utilitarian platform on which to build. These Chinese clones are also notoriously noisy, so recording with it will be difficult at best. 3. The settings for the Voice knob are as follows: 1. Mad Professor came out with a new dual overdrive called Supreme engineered in collaboration with famous blues guitarist Matt Schofield.. For knobs, you get Boost, Volume, and Tone, as well as Gain A and Gain B. With the gain down and volume up, you start off in grunge-ish territory; it can clean up further, but it begins to feel like you're not playing to the pedal's strengths if you get any less hairy than Pearl Jam. His YouTube channel is full of videos breaking down his intimate understanding of circuits and frequency response, and all that knowledge comes together in this excellent unit. Each unit has two independent drives, each of which can be tweaked to deliver different voices. What's even cooler is you can control these lights with the flick of a switch on the rear panel. In terms of sounds, the Klon is often described as 'transparent', but we've always found it to be distinctly colored, chewy in its drive tone at lower gain settings, and crunchy and dry with the gain up – these qualities are also true of the Tumnus. For sound samples, watch either the Rabea Massaad demo or see the man himself talk about it. Along with fuzz and delay, overdrive is the essential guitar effect. There are two switches for treble and bass boost, the latter of which is supposed to emulate a kicking 4×12 cab. Fans of the best show on the internet, That Pedal Show will already be totally familiar with this pick. A switch below the knobs lets you easily select between the boost, drive, or fuzz circuit. De OGO-1 Organ Grinder is een true bypass voorversterker / overdrive, gemaakt om het geluid van buizen te simuleren. While overdrive pedals tend to have a smaller range of gain than, say, distortion or fuzz pedals, their ability to interact with a tube amp and tap into tube saturation means that, in practice, an overdrive … Based on the Tube Screamer, but without the same compression and without its trademark 'mid-hump' EQ profile, the Timmy is much more versatile as a drive. While I do like it and think it’s a worthwhile offering, the new asking price is a touch high – it’s more expensive than the D&M Drive, which is both from a smaller boutique maker and offers far more advanced routing options. Paired with a decent tube amp, it's responsive enough that bringing the gain down and volume up will result in a more dynamic playing experience. Although it may not be transparent, it can still be used as a slightly colorful boost in front of a tube amp with the gain down and volume up. ... Not a pedal, but my Mesa Dual Rectifier has the sickest distortion ever. All straightforward and easy to grasp, but note that those are active EQ, so they boost and cut when needed.. Other cool features include the magnetic battery access compartment at the front of the pedal and the LEDs that illuminate the knob settings. The Mick side is higher-headroom with a pronounced mid-boost, not unlike a Tube Screamer. That means there are effectively three gain stages within this pedal: the overall drive, the low frequency gain, and the boost. Set up as a boost or with the drive pulled back, it gets pretty well into 'transparent' drive territory. That’s right, the front, just like the Wampler above. The last of these controls the blend of the two channels of a ’67-’69 Plexi, with T being bright and B being normal. Second, they change the EQ profile of your signal; most overdrives also sport a tone control to allow for further tweaking beyond the essential 'character' that the drive delivers. The latter of these we discussed briefly in our best distortion pedals post as it is/is not a clone of a MI Audio Crunch Box, depending on who you ask. With so many overdrive and distortion pedals on the market these days, it can be … It’s the control set you know and love from other Tube Screamers, with the last of these knobs controlling the level of boost activated with the Boost footswitch. This beast of a machine from Chase Bliss meets and exceeds the requirements for appearing on our list, featuring the requisite boost and overdrive, but also a fuzz circuit. The brainchild of Peter Hamstead, the Odyssey - like the Tight Rock - is a drive built by an audio engineer who's primarily an amp designer. Fulltone OCD V2. © Although some may not consider it a dual overdrive because it is a drive and a boost. Dual Overdrives: Worth It? Memorize which is which, though, because in virtually any lighting situation, the labels are difficult to read. 12 Best Boost & Overdrive Combo Guitar Pedals, Copyright © 2020 Heavy, Inc. All rights reserved. These are a little rarer than some of the other options on this list, but it’s worth a peek at Reverb to see if you can grab it used and save some money. Controls on this unit include a Master volume and a Mix knob, as well as a Gain and Tone for each channel. With the gain at the higher end of its range, it can get the kind of drive tones that Billy Howerdel coerces out of his hot-rodded Marshalls in A Perfect Circle. Sep 25, 2017. This might be one of the best cranked Marshall style overdrives on the market today!
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